Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Martin van Meytens
Maria Carolina of Austria

ID: 84079

Martin van Meytens Maria Carolina of Austria
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Martin van Meytens Maria Carolina of Austria


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Martin van Meytens

(June 24, 1695 - March 23, 1770) was a Swedish-Austrian painter who painted members of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francis I, Holy Roman Emperor, the Emperor's family and others. His painting style has inspired many other painters to paint in a similar format.   Related Paintings of Martin van Meytens :. | Portrait Kaiser Franz Stephan | Portrait of Archduchess Maria Anna of Austria | Portrait of Polyxena Christina of Hesse-Rotenburg with her two oldest children, the future Victor Amadeus III and Princess Eleonora | Portrait of Polyxena Christina of Hesse Rotenburg | Portrait of Archduchess Maria Anna of Austria |
Related Artists:
ZUCCARO Taddeo
Italian Mannerist Painter, 1529-1566 Painter and draughtsman. Taught to draw by his father, at the age of 14 he went alone to Rome where, according to Vasari, he was employed in various workshops and studied independently, particularly the works of Raphael. Through assisting Daniele de Porri (1500-77), who had trained in Parma, he learnt of the work of Correggio and Parmigianino. He first became known for his paintings on fa?ades, notably scenes from the Story of Furius Camillus on the palazzo of a Roman nobleman Jacopo Matteo, executed in 1548. Vasari claimed that Taddeo's fa?ade decorations equalled those of Polidoro da Caravaggio; none survives, although some are documented in drawings (e.g. London, BM; Paris, Louvre) and show his assimilation of Polidoro's style. Taddeo's earliest extant works date from 1553 when he collaborated with Prospero Fontana on the decoration (part destr.) of the villa of Pope Julius III outside the Porta del Popolo in Rome; Taddeo's contributions included scenes of The Seasons in the loggia of the nymphaeum. In these, clarity of form and space, natural proportions and idealization of human form demonstrate his affinity with the classicism of the High Renaissance. He also assimilated the sculptural sensibility of Mannerism, derived from Michelangelo.
Dirck de Quade van Ravesteyn
Flemish painter 1565-1620
Fra Carnevale
Italian, active 1445-1484






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